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David Michôd’s portrait of hubris and idealism in 2009 Afghanistan rings true to today.

  • May 26, 2017

When the greats are only good, Cannes shows the limits of uncritical hero-worship.

  • May 25, 2017

A venerated film festival’s attempts to stay relevant raise questions about relevancy’s varied meanings.

  • May 19, 2017

Eleanor Coppola follows a woman embracing her own desires during a trip through France.

  • May 18, 2017

Familiar set pieces are here, but this entry lacks the momentum and visual pow of 1979’s game-changer.

  • May 18, 2017

Azazel Jacobs’s chamber piece is both incisive and forgiving on the subject of fidelity.

  • May 13, 2017

With its tricky tonal mix of satire and sincerity, “War Machine” captures the mood of a jittery, uncertain time.

  • May 11, 2017

Goldie Hawn is largely wasted in a fitfully funny but generally pleasing mother-daughter comedy.

  • May 11, 2017

Or: Why ‘Fortunate Son’ should never be used in another movie again.

  • May 4, 2017

Should “La La Land” win best picture?

  • Feb 21, 2017
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