Latest from Philip Kennicott

A Phillips Collection show charts the evolution of identity at the northern edge of Europe.

  • Nov 11, 2018

Richard Egarr said his instrument is “unmusical.” Then he proved otherwise.

  • Nov 5, 2018

CRITIC’S NOTEBOOK | “Everything Is Connected” at the Met Breuer is a dark show, but it’s the right show in the Trump era.

  • Nov 4, 2018

The first U.S. survey of her work, at the New Museum, is entirely underwhelming.

  • Nov 2, 2018

“Armenia,” at the Metropolitan Museum, is a dazzling survey of medieval history.

  • Oct 26, 2018

Park Service cites security concerns. But they can’t be trusted.

  • Oct 18, 2018

A major figure of the 20th century gets a rare retrospective at the Museum of Modern Art.

  • Oct 18, 2018

Do we really need museums of Ice Cream, Poetry, Pinballs, Toby Jugs, Meditation?

  • Oct 12, 2018

The Smithsonian mounts a major retrospective of a self-taught artist.

  • Oct 5, 2018

The Hirshhorn is addled by the shootings in Florida, and postpones plans to display a provocative art work on its exterior wall.

  • Feb 15, 2018
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