Latest from Philip Kennicott

Baltimore exhibition explores surrealism in the 1930s and ’40s.

  • Mar 5, 2019

The Phillips Collection introduces Cuban-born Zilia Sánchez as a solitary visionary.

  • Feb 15, 2019

Dan Gilroy’s satirical sendup of the art world is dark, nihilistic and nasty.

  • Feb 7, 2019

Something in Jennifer Rubell’s work certainly got under the skin of the usually unflappable Ivanka Trump.

  • Feb 5, 2019

Exhibits at the Whitney and New York Academy of Art offer a rare chance to see the full arc of his career.

  • Feb 1, 2019

A groundbreaking show at the Museum of American Art will focus on a painful and divisive era.

  • Jan 31, 2019

An exhibition in New York surveys the work of a master perfectionist, 30 years after his death.

  • Jan 24, 2019

The apparent goal of this survey is to stress the more conventional side of the artist.

  • Jan 18, 2019

The 10-year challenge outsources our relationship to time to a corporation and distorts memory.

  • Jan 16, 2019

The Hirshhorn is addled by the shootings in Florida, and postpones plans to display a provocative art work on its exterior wall.

  • Feb 15, 2018
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