Latest from Sarah L. Kaufman
Our dance critic, who never calls shows a “must-see,” says you must see this Mark Morris show, a brilliant take on the “Sgt. Pepper’s” album.
  • Nov 14, 2019
At Strathmore, Brown’s company collaborates with the Arturo O’Farrill Ensemble in ‘New Conversations’ and other works.
  • Nov 9, 2019
  • Review
In “Out Loud” the esteemed choreographer opens up about his unusual childhood and his road to fame.
  • Nov 1, 2019
  • Review
The company performs new works by Jessica Lang, Annabelle Lopez Ochoa and John Heginbotham at Harman Hall.
  • Oct 25, 2019
How teenagers Taylor Hatala, Kidathegreat, Kaycee Rice and others are changing how we see and think about dance in the digital age.
  • Oct 18, 2019
  • Perspective
The best choice? A box of scarves. And no rules.
  • Oct 10, 2019
  • Review
Viktoria Tereshkina dazzles in the three-hour ballet, yet its plot doesn’t merit such a long exploration.
  • Oct 9, 2019
  • Review
Compagnie Centre National de Danse Contemporaine performs “Beach Birds” and “BIPED” at the Kennedy Center.
  • Oct 4, 2019
Ryan Heffington, who created the moves in “Chandelier” and the “Transparent” musical finale, wants to shake your world. And you.
  • Sep 27, 2019
  • Review
Powerfully sung and flashy, the touring version of the 2016 Broadway revival is at the Kennedy Center through Oct. 6.
  • Sep 20, 2019
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