Gallery of the city walls in Resafe, Syria, in 2003. (Kevin Bubriski/powerHouse Books)

A scene from Palmyra, Syria. (Kevin Bubriski/powerHouse Books)

The war in Syria has lasted now for nearly eight years. It started around the time of the Arab Spring, when in March 2011, protesters took to the streets, calling on Syrian President Bashar al-Assad to implement democratic government reforms. But instead of acquiescing to those demands, Assad’s government responded with violence. Seeking to organize an armed rebellion against Assad’s regime, military defectors and protesters mobilized in what became the Free Syrian Army. By 2012, Syria was fully embroiled in civil war, which has destroyed much of the country in the years since. More than 400,000 people have been killed, at least 1 million have been wounded and some 12 million have fled their homes, according to estimates by the United Nations and other groups.

This is the state of Syria today. But of course, it wasn’t always this way. In 2003, eight years before the conflict, photographer Kevin Bubriski found himself on assignment in Syria, where he documented daily life and the country’s ancient monuments. He had no idea then of the war that was to come, or that it would end up destroying much of what he captured behind the lens.

Bubriski spent his time photographing moments in the bustling Aleppo Souk, considered the longest continuously inhabited place of commerce in the world. He also ventured outside the city, documenting the ancient villages of Northern Syria, the Church of Saint Simeon Stylites and the pilgrimage sites of Serjilla, al-Bara, Kharab Shams, Mushabak, Baqirha, Qalb Lozeh and Resafe. In addition, Bubriski photographed early Islamic sites near Raqqa and the ancient Roman trading cities of Apamea and Palmyra. While preserving these sites on film, according to his publisher, he “recalls holding his breath as he saw the ruins before him take shape on the ground glass of the analog film Hasselblad camera, and feeling very fortunate for being a witness to the beauty of the ancient monuments.”

Bubriski’s book of photographs from throughout Syria in 2003, titled “Legacy in Stone: Syria Before the War,” is available from powerHOUSE Books.


Near Bab Qinnisrin in Aleppo, Syria. (Kevin Bubriski/powerHouse Books)

Apamea, Syria. (Kevin Bubriski/powerHouse Books)

Father and son, north of Aleppo. (Kevin Bubriski/powerHouse Books)

The Monumental Arch of Palmyra. (Kevin Bubriski/powerHouse Books)

Ibn Mansour, animal skins and Eastern goods, Aleppo Souk. (Kevin Bubriski/powerHouse Books)

Northern Shirine of the Temple of Bel, Palmyra. (Kevin Bubriski/powerHouse Books)

A street near Khan al-Tutun al-Kebir in Aleppo. (Kevin Bubriski/powerHouse Books)

Kharab Shams, Syria. (Kevin Bubriski/powerHouse Books)

Abdel Rizaq Bakir, ropemakers’ souk, Aleppo. (Kevin Bubriski/powerHouse Books)

Entrance Arch to Theatre Street, Palmyra. (Kevin Bubriski/powerHouse Books)

The historic souk in Aleppo. (Kevin Bubriski/powerHouse Books)

Palmyra. (Kevin Bubriski/powerHouse Books)

Valley of the Tombs, Palmyra. (Kevin Bubriski/powerHouse Books)

In Sight is The Washington Post’s photography blog for visual narrative. This platform showcases compelling and diverse imagery from staff and freelance photographers, news agencies and archives. If you are interested in submitting a story to In Sight, please complete this form.

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