• A Georgia clinic braces for the state’s new abortion law

    Caroline Kitchener visits a Georgia abortion clinic. Damian Paletta explains the next front in the U.S.-China trade war. And DeNeen Brown discusses why Harriet Tubman won’t be on the $20 bill anytime soon.

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    About the show

    Post Reports is the daily podcast from The Washington Post. Unparalleled reporting. Expert insight. Clear analysis. Everything you’ve come to expect from the newsroom of The Post. For your ears. Martine Powers is your host, asking the questions you didn’t know you wanted answered. Published weekdays by 5 p.m. Eastern time.
    Show credits:
    Host: Martine Powers | Executive Producer: Madhulika Sikka | Producers: Matt Collette, Maggie Penman, Alexis Diao, Ted Muldoon, Reena Flores, Jordan-Marie Smith, Linah Mohammad | Logo design: Mora Vieytes for The Washington Post | Theme music: Ted Muldoon

  • President Trump vowed to fight opioids. But the fentanyl crisis keeps getting worse.

    Jeff Stein on what an IRS draft memo means for the fight over President Trump’s taxes. Sari Horwitz and Scott Higham on the Trump administration’s response to the fentanyl crisis. And Carol Leonnig on the meticulous lawyer subpoenaed by Congress.

  • One conservative's quest to reshape U.S. courts

    Robert O'Harrow Jr. and Shawn Boburg discuss the man reshaping the federal judiciary. Laura Meckler examines the power of a high school’s controversial mock funeral. And Jennifer Hassan dissects a new form of British protest.

  • Private companies are reviving the Space Coast. Can it last?

    Joanna Slater on India’s election, the largest exercise of democracy ever. Christian Davenport on the business resurgence along Florida’s Space Coast. And a gift for Morehouse College 2019 graduates.

  • The new Howard Stern on the old one: ‘I don’t know who that guy is’

    Aaron Blake on why antiabortion Republicans are changing their legal strategy to dismantle Roe v. Wade. Geoff Edgers on the new Howard Stern. And critic Sebastian Smee on how the art world increasingly caters to billionaires.